MÂYÂ – Concept of Creative Power of God

There is no concept in Hindu religion, philosophy, and mythology that, when oversimplified, has led to more misunderstanding. The phrase “it is all illusion, mâyâ” reflects this kind of usage.

In fact the concept of mâyâ is complex, and its meaning depends on the context; it is central to understanding Hindu mythology. The concept of mâyâ provides the supporting structure both for the magical effectiveness of the austerities and powers of Hindu mythology and for a fundamental rejection of any worldview that involved taking such illusions seriously.

Linguistically, mâyâ comes from the verbal root ma—“to measure,” “to mete out,” and by extension “to create” or “to construct.” Mâyâ implied a power or a process of creation and the results of that process. Thus, in the Rigveda Varuna used mâyâ to construct the earth and give it order (rita), and Indra used mâyâ to conquer Vritra, the monster who prevented the rains.

By the time of the Upanishads, mâyâ was beginning to acquire at least five contexts of meaning with many possibilities for overlapping—ritual, metaphysical, epistemological, mythological, and magical. All agreed that mâyâ had to do with the enigmatic qualities of life and the consciousness of life.

Metaphysically and epistemologically, mâyâ pointed to the process of mental creation and its correspondence to material creation. It entailed how we know, what we know, who knows—and so much more. This theoretical usage of mâyâ would allow for a contradiction or rejection of the practical usages of mâyâ—roughly corresponding to ritual, mythological, and magical approaches.

The practical understanding of mâyâ (and s´haktî) as power rested on a “science” of observation and experimentation that supported their application in ritual and ascetic practices. Orthoprax priests had concluded that rituals worked when done precisely, as did incantations of mantras as prayers of praise or formulas of magical control.

MÂYÂ - A concept; the creative power of god

Further, this understanding of mâyâ as control of the mysteries of life concluded that austerities (tapas) led to the power to control nature, including the gods, or to acquire any object of desire, including heaven (svarga) or immortality.

The mythological view of mâyâ is the most practical one: that there are practices (rituals, austerities, devotion, or a combination of these) that give mortals some control over the results of their action (connecting with karma) and hope for the future.

Many, many myths mention the use of magic directly, and many terms are used in the myths for this art: for example, mâyâvî or tapasvinî (magician) and indrajala (magic or illusionism).

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